Sakura

(1) During the journey, religiously associated musical expressions such as the Buddhist "Ohm" are effortlessly combined with Gregorian sounds to form a harmonious unity.
(2) In a kind of "pollination ceremony" supported by two cajons (which MUST be positioned to the right and left of the conductor!), the melody gradually mixes with Latin American sounds. After a short, unexpected interruption in which a union with typical features of Viennese music is achieved, the folk song theme merges more and more with Latin American rhythms to form a unity, before this
(3) is stopped and seemingly destroyed by an unbelievable force, cruel as it can only be exerted by human hands and can never be described by music.

But destruction and violence do not prevent the cherry blossom from starting its journey again and everything starts again from the beginning.
Despite all the seriousness that every topic can offer, the composer always strives to include moments in his works that can be seen with a certain "wink". But they have to be discovered first and do not reveal themselves. But they are there ;).
As in life, enlightenment cannot be found in this piece if you take everything too seriously; it is the mixture - a cross-over of seriousness and fun - while maintaining respect that can create the right approach to the piece.

Attention: 2 cajons positioned to the right and left of the conductor.